The Worldmusic Blog (Seckou Kouyate)

WorldBeatUK (11th Show) - Broadcast Notes (11/5/11)

Tagged with: WorldBeatUK Glyn Phillips Sierra Leone Monosonicos Sergent Garcia Zulu 9.30 Canteca de Macao Blind Boys of Alabama Johnny Cash Maria Kalaniemi Mariza Neblina Sound JuJu Maguaré Juicebox Vetex Slivo Electric Club Zephyrus Hippo Cumbancha Strut Aito Fexomat

 ShowNotes for WBUK11 - 11/5/11

1 “Intro-Mat” by Matchatcha from album “Nyekesse” (Melodie)

WELCOME BACK  to another edition of WorldBeatUK - the 2 hour world music show that brings you the best music from around the globe, from today, yesterday and often even a glimpse into tomorrow!  I’m Glyn Phillips, you’re tuned into Rhubarb Radio coming live from the Custard Factory in Digbeth, Birmingham, England and this is WorldBeatUK!

First up this evening is a track from a new CD which was only released yesterday.  It’s an album of remixes by DJ Logic - and the original album they were taken from was called “Rise and Shine” which came out last year on the Cumbancha label, by Sierra Leone’s Refugee All Stars.  

I’ve played some of their stuff before on the show, which is a mixture of traditional West African music with roots reggae.  The band has a fascinating history, having first formed in one of the refugee camps during and following the wars in Sierra Leone.  They’re now based in the United States and enjoying some well-deserved respect and attention and are currently on tour around the States.  

The “Rise and Shine” album was quite a big hit for them worldwide last year and so they’ve teamed up with DJ Logic to do so remixes for this sort of extended EP called “Rise and Shine Remixes” (also on Cumbancha) which was released yesterday on iTunes and Amazon.  This track is one of the more traditional offerings; it’s called “Muloma”.

2 “Muloma” by Sierra Leone’s Refugee All Stars & DJ Logic from album “Rise and Shine Remixes” (Cumbancha)

And staying with Africa this is Moneyman and the Super 5 International from an excellent album called “Nigeria 70 - Sweet Times: AfroFunk, Highlife and JuJu from 1970s Lagos” which is due to be released on the 23rd May by Strut Records.  This track is called ”Life”

3 “Life” by Moneyman and the Super 5 International from the album “Nigeria 70 - Sweet Times: AfroFunk, Highlife and JuJu from 1970s Lagos” (Strut Records)

And from Lagos, Nigeria to Nottingham, England!  There are so many bands out there now being influenced from the incredible explosion of music now available from all over the world, and often mixing up all kinds of different influences, rhythms and instruments into their sound.  

I came across these guys called Monosonicos on SoundCloud a few weeks back and was taken by one of their latin-meets-afrobeat tracks; but here I’m going to play you a sort of soca-cumbia with some romantic vocals and their trademark steelpan (which I love).  

It’s a pity the sound’s a bit low and slightly muddy, but it’s enough to know that they’ve put a lot of thought into the music and are probably well worth seeing live.  So, this is the Monosonicos from Nottingham in the UK and a track called “Loca”.

4 “Loca” by Monosonicos

CONTINUOUS - CONTINUOUS - CONTINUOUS

5 “Yo Soy Salsamuffin” by Sgt Garcia from album “Una y Otra Vez (Cumbancha)

Ok that was the great Sargento Garcia, one of the leading lights of the whole European Mestizo sound.  I’ve been following his work for some years now and he always manages to produce some really interesting pieces.  

For this new album, he’s signed to a new record label - the North American world music specialists, Cumbancha.  The album is entitled “Una y Otra Vez” (Time and Again) and was released in Europe in March and will be in the Americas next week.    

As ever El Sargento sings in a mixture of Spanish, English and French and mixes up salsa and dancehall reggae in his trademark salsamuffin style (as you just heard) as well as experimenting with rumba, rock, punk, bolero, and much more.  I wouldn’t say it was necessarily a better album than any of his previous ones, but it’s just as good - which is praise enough!

OK, let’s stay with more of this European mestizo sound - where  Latin America meets Reggae and Dub meets Rock and beyond, for the next two tracks.  

The next band have carved themselves out a name in Europe and especially in their native Spain.  This is Zulú 9.30 from Barcelona - who I played last week - and the track that I promised from their new album “Tiempo al Tiempo”.  This is “La Tierra Tiene Hambre” - The Land is Hungry!

6 “La Tierra Tiene Hambre” by Zulu 9.30 from album “Tiempo al Tiempo”

CONTINUOUS - CONTINUOUS - CONTINUOUS

7 “Green Yin” by Canteca de Macao from album “Agua Pa’ La Tierra”

First you heard Zulu 9.30 and “La Tierra Tiene Hambre” and that was followed by another band from Barcelona, Canteca de Macao (which, when I first came across them, I assumed to refer to a choral group from the Portuguese enclave of Macao near China - but which I found out later was actually a spoonerism of ‘manteca de cacao’ or cocoa butter in English!).  

Anyway, that was their track “Green Yin” (presumably a seasick Billy Connolly . . . !) from their 2009 album “Agua Pa’ La Tierra” on Warner Music Spain.

We’re going to leave Europe behind now and get some religion in our lives!  Come on boys and girls, let’s go to Church!  All the way to the rich red soil of Alabama in the Southern United States and the most excellent Blind Boys of Alabama!   

For seven decades this band has been wowing audiences with their amazing gospel choral sound.  They only have one original member of the band left now, but it doesn’t change their pedigree and quality one iota.  

The Blind Boys have teamed up with young Country singer and Producer, Jamey Johnson to make an album of Country-Gospel (released two days) called “Take The High Road” (on Saguaro Records and Proper Records) - No! Don’t run away - it’s really good!!  Seriously!  

Here the Blind Boys team up with the Oak Ridge Boys on the title track “Take The High Road”. 

I’ve written a full in-depth review about it on the world music website: www.worldmusic.co.uk - check it out.

8 “Take The High Road” by The Blind Boys of Alabama from album “Take The High Road” (Saguaro/Proper Records)

Wasn’t that wonderful!  The Blind Boys of Alabama in conjunction with the Oak Ridge Boys and “Take the High Road” from the album of the same name - just released two days ago.  

Hey, the service ain’t over yet!  Sit back down in that pew, you sinners!  You all look like you could do with your own “Personal Jesus"; Johnny Cash certainly does, and Goofee’s the man to supply him . . .

9 “Personal Jesus” by Johnny Cash (Goofee Remix)

CONTINUOUS - CONTINUOUS - CONTINUOUS

10 “Hold To God’s Unchanging Hand” by Irma Thomas from album ‘Rough Guide To Louisiana”

Yeah, that was Irma Thomas from Louisiana and a track called “Hold on To God’s Unchanging Hand” from the album “Rough Guide to Louisiana”.

Very much a change of place now - we’re flying over to the Finland by the light of a silvery moon to hear the wonderful Maria Kalaniemi, a singer and accordionist of Swedish and Finnish descent who will play us a tango from her new album “Vilda Rosor” (that’s Wild Rose in English) which was also released a couple of days ago on the 9th May in the UK, (from Aito Records).  

This track is called “Under Fullmanen” (under the full moon) . . .

11 “Under Fullmanen” by Maria Kalaniemi from album “Vilda Rosor” (Aito Records)

And if it that wasn’t beautiful enough.  Just listen to this.  In every show I try and include at least one song of almost indescribable beauty, one that hits you at every emotional and spiritual level and this next track is one of those; by one of my all-time favourite singers, the queen of heart-string pulling fado and saudade - who else but, Mariza.  

If you were really lucky you would have had the chance to see her live last night right here in Birmingham.  I was unable to go, sadly!  And I’m trying not to think about it too much; but if you’ve never heard her before, just open your heart and let this song in.  

It’s one of my favourite songs of hers “O Gente da Minha Terra” (the people of my land) but delivered in a very unusual way - not to the usual and bewitching background of Portuguese guitars, double bass etc that I’ve heard her sing it to before - but to nothing but the subtle piano accompaniment of Tiago Machado.  This is true sonic beauty . . .

12 “O Gente da Minha Terra” by Mariza from album “Fado em Mim” (World Connection)

CONTINUOUS - CONTINUOUS - CONTINUOUS - 

13 “You Don’t Know My Name” by Alicia Keys (Jejah mashup) 

[CHANGE THE CD HERE!!!!]

You’re tuned into Rhubarb Radio and are listening to “WorldBeatUK” with me Glyn Phillips at the helm for two hours of the best world music from around the planet.

First up you heard Mariza’s “O Gente da Minha Terra” and then after that Jejah’s  reggae mashup of Alicia Keys’ You Don’t Know My Name” - I love Alicia Keys and I also love that remix using Neblina Sound’s Operator Riddim!  

While we’re in that reggae vibe let’s stick with the Spanish mashers and mixers for the next couple of numbers coz this is Barcelona’s Neblina Sound System again and a laid back Spanish language song by “Oli” called “La Mente” which utilises the Zurie Riddim.

14 “La Mente” by Oli (Neblina Sound) 

OK final reggae mashup of the night.  It’s by Spain’s Neblina Sounds again; this time from their album “Intergalactic Mashups” and, you’d better believe it, it’s none other than Bob Marley that gets the Beastie Boys treatment!  “Could YOU be Intergalactic?”

15 “Could You Be Intergalactic” by Bob Marley vs Beastie Boys (Neblina Sound)

This next one’s a promo taster from an as yet unreleased album called “In Trance” by the band JuJu - a collaboration between the UK guitarist Justin Adams and Gambia’s ritti master Juldeh Camara - it’s sort of Gambian Rhythm and Blues with a metal edge - but trust me, it’s very good!  The album’s going to be released in the UK next Tuesday on May 17th by Real World Records; this is a track called “Nightwalk”.

16 “Nightwalk” by JuJu (Justin Adams & Juldeh Camara) from album “In Trance” (Real World Records)

West Africa again and going right back in time 30 years now!  From the 1981 album “Show Me Your Love” this is some lovely old Ghanaian Highlife from the Opambuo International Band of Ghana and a track entitled: “Hu Anim Ase Nkyene”.

17 “Hu Anim Ase Nkyene” by Opambuo International Band of Ghana from album “Show Me Your Love”

CONTINUOUS - CONTINUOUS - CONTINUOUS

18 “Navidad Negra” by Maguaré from album “Retro-Cumbia” (Zephyrus Records)

One of my favourite afro-colombian tunes there, “Navidad Negra” (Black Christmas), in a 2010 remake by the Belgian based band Maguaré and their wonderful Colombian singer Paola Marquez - I do love her voice - from their album “Retro Cumbia” on the Belgian Zephyrus label - besotes a mis zefiranas: Paolita y La Marangita!  

And to follow that, from the Dutch label Hippo Records, this is a funky piece of retro-boogaloo from Juicebox off their album “Canned Boogaloo”; this is called “New York Soul”.  Yeah, Baby!  Aúuuuuuuuu! Take your latin swing and just add that afro-thang!!

19 “New York Soul” by Juicebox from album “Canned Boogaloo” (Hippo Records)

Back to Belgium and some Balkan style brass from the huge brass band Orchestre International du Vetex - this is “Vetex on Fire III”

20 “Vetex on Fire III” by Orchestre International du Vetex

We’re firmly in Tipsy Gipsy territory all you tsiganophiles!   Fancy a drink?

21 “Hey Hey” by Fexomat

Ha ha ha!!!  Loads of you couldn’t handle last week’s offering of gypsycore from Fexomat, so maybe you found that a little easier on the palatte - slightly more quaffable perchance?

OK, that’s about it . . .

[Goodbyes etc]

Just time to leave you with this from France’s Slivo Electric Club.  A lovely bit of contemporary gypsy style music called “Gypsy Kopath”.  Enjoy!  

See ya’ll next week.   Spread the words, peeps, tell all yer friends.  And remember: it’s all about the music!

22 “Gypsy Kopath” by Slivo Electric Club

WorldBeatUK (7th Show) - Broadcast Notes (13/4/11)

Tagged with: WorldBeatUK Glyn Phillips Rhubarb C Sharp Seth Lakeman Berroguetto ialma Serjao Loroza Parno Grazst Gypsy Groovz Blind Boys of Alabama Michel Ongara Oswin Chin Behilia Jolly Boys Bellon Maceiras Imam Baildi Azucah Manteca Rudeboy Rigolitch Huun Huur Tu

Show notes for WBUK7 (13/4/11)

1 Intro-mat (1.47) Matchatcha Nyekesse (Melodie)

Welcome back to another edition of WorldBeatUK right here on Rhubarb Radio. My name’s Glyn Phillips and for the next two hours I’ll be taking you on a musical journey around the oceans of world music.

On the show tonight we’re going to be sailing down to Galicia in Northwestern Spain for some fantastic folk-fusion, cruising over to the Caribbean for some reggae and mento from Jamaica and some papiamentu son from Curação, riding the iron horse to hear some gospel from Alabama, and on up to Canada for some afro-jazz fusion and ska, and somewhere along the way we’ll be calling in at Brazil, Kenya, Greece and two widely differing parts of Russia (St Petersburg in the Northwest and Siberia in the South East) as well as attending a wild gypsy festival in Southern Serbia. Just don’t say I don’t ever take you out anywhere…!

First up tonight let’s get it on - and get in the mood - with some ‘Lovers Rock’ from Jamaica’s C-Sharp - this is “My Love”:

2 My Love (3.35) C-Sharp

Well, ya feelin’ all loved-up now? Ready for a change of pace? This is England’s current face and voice of young English folk, Seth Lakeman, and the rocking title track off his 2010 album called “Hearts & Minds”:

3 Hearts & Minds (3.53) Seth Lakeman

And talking of folk music, last week I played you some glorious folk music from Galicia: the remote, verdant, Celtic region of Spain.

It went down so well that I’m returning there for a number of tracks tonight, kicking off with the first Galician band that really rocked my boat - the multifarious, multi-talented Berrogüetto and a track from their brilliant 2001 “Hepta” album on the Spanish Boa Music label.

This is called GaliATmatiasDOTtacom - or it might even be Galiamatiastacom - difficult to tell!   Anyway, wrap yer lug’oles round this!

4 Galiamatiastacom (3.42) Berrogüetto Hepta (Boa Music)

And sticking with Galicia a wonderful band of women called Ialma. In celebration of their 10 year anniversary these five beautiful singers or ‘cantareiras’ have just released a new album “Simbiose” (which means “Symbiosis”) on the De Fol Musica label, which fuses traditional folk with everything from rap to medieval music. This particular funky jazzy song is entitled “6am”.

5 6am (3.40) Ialma Simbiose (De Fol Musica)

The Galician language, Galega, is very similar to Portuguese, and Portuguese is also the language of Brazil. Which takes me very nicely onto the next track.

Serjão Loroza is a singer/composer from Rio de Janeiro who is also a comedian, as well as an actor of stage, film and TV. He’s well known for his tracks in the ubiquitous Brazilian style of MPB (musica popular brasileira) as well as samba, rap, soul, funk, reggae and beyond.

This laidback tune - with a peculiarly Brazilian reggae undercurrent - is from a live concert by Serjão and his band Us Madureiras and is entitled “A Dois Passos de Paraíso” (Two Steps from Paradise) . . .

6 A Dois Passos do Paraíso (3.44) Serjão Loroza Serjão Loroza & Us Madureira

Last Friday (8th April) was officially the International Day of the Roma and I’d like to give a shout out and a BIG big up to Rhubarb Radio’s very own ElliNoire and her Balkanic Eruption night. If you weren’t there, you missed another winning combination of gypsy joy and balkan madness.

I’d especially like to mention the Romany Diamonds from Poland, a trio of Roma musicians who mesmerised the audience using just an acoustic guitar, an accordion and the astounding voice of the violinist. He was no mean violinist either, I can tell you! All the more amazing considering they had to follow a very large, amplified Balkan-style wedding band called Aistaguca from Nottingham! So if you get the chance check them out!

OK so that must mean it’s now time for some Gypsy music. Parno Grazst are a Hungarian Roma gypsy ensemble founded in 1987. Their name means ‘White Horse’, whereby white is a symbol of purity and the horse a symbol of freedom. Their debut album “Rávágok a Zongorára” which translates into English as the much-easier-to-say: “Hit The Piano” reached No 7 on the World Music Chart Europe in Oct 2002. This is the title track from that and I’m dedicating it to the lovely ElliNoire whose balkan show you can hear on Rhubarb Radio tomorrow at 1pm. Opre Roma!!

7 Rávágok a Zongorára (2.44) Parno Grazst Rávágok a Zongorára (ie ‘Hit The Piano’) PPR Records

More Roma madness, this time from Serbia and the wonderful Gypsy Groovz Orchestra led by trumpeter Ekrem Sajdic. They are joined here by no less than 7 other ensembles on a huge jam which was recorded and made into a compelling album. This is the first part (“Djul Zulejha”) and the third part (for which I don’t have a name) of a 35 minute piece called “Festival Tople Volde” (which translates as ‘Hot Water Festival’), recorded last year, I think, at the Guca Festival.

Their management described this recording to me as - and I quote - “made by 75 brass musicians from South of Serbian village Vranjska Banja and 10 nyabinghi rastafarian drummers of freedom who played together on live 35 minutes long song as 1-100 catharsis.” Nope, I don’t understand what that means either - but who cares, the music’s great! The album is on the Network label and is called “Night Train for Lovers and Thieves”. The Gypsy Groovz Orchestra Goes Tuttimundi!

8 Festival Tople Volde (Pt 1: Djul Zulejha) (2.10) Gypsy Groovz Orchestra Goes Tuttimundi Night Train for Lovers and Thieves (Network)

- - - CONTINUOUS - - - - - - 

9 Festival Tople Volde (Pt 3) (4.06) Gypsy Groovz Orchestra Goes Tuttimundi Night Train for Lovers and Thieves (Network)

Now, the last few weeks I’ve been trying to balance the music on the show between uptempo and slow, between country and urban, and between dancefloor fillers and those of a more medit-at-ive nature and there’s usually one tune every show that demands a certain level of aural attention and openness of mind, yet delivers in turn a special spirituality or transcendency. The next track is one of those. It’s a collaboration between the Bulgarian vocal group Angelite, the Moscow Art Trio and the Siberian overtone singers Huun Huur Tu. Recorded at a live concert (always so much better than dead ones, I find!) this track - called “Fly Fly My Sadness” - is 10 minutes and 28 seconds of ethereal sonic beauty . . .

10 Fly Fly My Sadness (10.28) Bulgarian Voices Angelite, Huun Huur Tu & The Moscow Art Trio Gone To The Dogs sampler (Jaro)

Well, that certainly was music for the soul - and this next track is too, although in a more overtly religious sense. From Central Asia and Eastern Europe we’re going all the way to the Deep South of America and to the Blind Boys of Alabama.

Formed over 70 years ago in 1939 (yep, that’s what I said: 1939) by a group of young men from the Alabama Institute for the Negro Blind, they have consistently poured out heartfelt gospel and RnB songs full of lush harmonies and deep roots, decade after decade. In that time they’ve won five Grammy’s, as well as a Grammy Lifetime Achievement Award and profoundly influenced countless artists from the genres of gospel, blues, rock’n’roll, soul and rock.

This track is a preview taken off their forthcoming album to be released on May the 9th called “Take the High Road”. It’s on the Saguaro Road Records label and is distributed by Proper Records and it’s the first time the Blind Boys have released a traditional country-gospel album.

Co-produced by Jamey Johnson it features guests spots by Willie Nelson, Lee Ann Womack, The Oak Ridge Boys and Hank Williams Jr amongst others. However the track I’ve chosen features just the Blind Boys themselves, so that you can really hear what all the acclaim is about.

So come on, scrub your neck, comb your hair and put on your Sunday best, boys and girls - let’s go to church: “Jesus, Hold My Hand”!

11 Jesus Hold My Hand (4.31) The Blind Boys of Alabama Take The High Road (Saguaro Road/Proper)

- - - CONTINUOUS - - - - - - 

12 Nashanga (5.15) Michel Ongaro Senta Lain

- - - CONTINUOUS - - - - - - 

13 Intro-Mat (1.47) Matchatcha Nyekesse

You’re listening to Rhubarb Radio. I’m Glyn Phillips and this is WorldBeatUK - 2 hours of the best world music coming at you live from the Custard Factory in Digbeth, Birmingham, in the United Kingdom.

Before the jingle break you heard the sounds of The Blind Boys of Alabama with “Jesus Hold My Hand” followed immediately by - coincidentally - another blind musician: multi-instrumentalist Michel Ongaro from Kenya and a track called “Nashanga” from his album “Senta Lain” - which mixes up traditional Kenyan benga music with soukous, gospel and cuban son - and that’s on the Dutch label Hippo Records.

If you’re wondering what the music is that I use as my theme tune for WorldBeatUK that came after that and you hear at the start of the show, it’s called “Intro-Mat” and is by Congolese guitar supremo Diblo Dibala and his band Matchatcha.

Details of all the tracks that I play can be found on my own world music website: www.worldmusic.co.uk - couldn’t be simpler! (so go to: www DOT World Music DOT co DOT uk) FORWARD SLASH ‘radio’ and look for the details there. We usually post them straight after the show - or by the next day at the latest.

OK, let’s set sail again and take our imaginary clipper up the Baltic Sea past Estonia and Finland onto Russia where we’ll dock in the ancient city of St Petersburg. There we’ll find a band called the St Petersburg Ska-Jazz Review playing a South African melody done Russian ska stylee!

If any of you own or once owned a 1962 album called “Swinging Safari” by Bert Kaempfert & his Orchestra then you might well recognise the melody. This is called “Skokiaan”!

(14) Skokiaan (3.23) St Petersburg Ska-Jazz Review Too Good To Be True (Megalith)

Lot of fun, lot of fun, the St Petersbug Ska-Jazz Review and Skokiaan!

Well we might have disembarked from the ship, but it’s time now to get on yer bike! Toronto-based Canadian band Mr Something Something are as well known for their methods of powering their shows as for their music. The band have taken the energy-wasteful music industry head on and are seriously trying all kinds of ways to reduce their carbon footprint. And one of those ways is via their Soundcycle system.

Audiences at their shows are asked to personally power the band using 10 special bicycles hooked up to dynamos that can create a current of about 200 watts per bike. The energy is stored in a bank of batteries and used to run the band’s equipment during concerts; the audience volunteers each spend about 10-15 minutes on average cycling during a show and it’s proved a big hit with them, giving a new outlet for dance floor activism.

And the music? Well it’s a sort of loose blend of jazz and afrobeat. Check it out. This is from their last album “Shine Your Face” and it’s called “The Antidote”.

(15) The Antidote (5.13) Mr Something Something Shine Your Face

When British people think of the Caribbean the default image is usually of Jamaica - or maybe Barbados, Trinidad, St Lucia or any other of the English speaking West Indies.

There are those who might be into latin american music and who will add Spanish speaking islands such as Cuba or Puerto Rico into the equation, or Francophiles who will mention Haiti, Guadeloupe and Martinique to the list.

But how many people are familiar with the Dutch speaking Caribbean? - Oh Yes, it exists! - in particular the islands of Aruba, Bonaire & Curação - or as they are often known: the ABC islands. ABC. Aruba, Bonaire, Curação… Geddit?

The great little Dutch label “Otrabanda Records” have long since sought out and tracked down all manner of artists and musics that deserve better attention and in the weeks to come I hope to play some of their recordings from the Pacific Coast of Colombia as well as vintage afrobeat, afrorock and electric highlife from Ghana.

But today I’m going to play you a piece by one of Curação’s most revered musical icons, Mr Oswin Chin Behilia from his album on Otrabanda Records called “Liber”.

The music shares many similarities with Cuban son - and there is a vibrant interchange between the ABC islands and their much larger neighbour, Cuba,  to the North and with their nearest neighbour, Venezuela, to the South; but you’ve probably never heard the language before - it is the indigenous creole language of the islands called Papiamentu - a hybrid between Cape Verdean creole, Portuguese, Dutch, Spanish, English, Sephardic Jewish Ladino, Arawak and various African tongues.  This track is “Den Bo Kushina”.

(16) Den Bo Kushina (3.32) Oswin Chin Behilia Liber (Otrabanda Records)

Staying in the Caribbean and a group I featured two weeks ago this is the fantastic Jolly Boys from Jamaica and another track from last year’s “Great Expectation" album on the GeeJam label. The last time I played their version of Amy Winehouse’s hit “Rehab”; this time Steely Dan get the jollification treatment.

Some people, like my mate Neil, don’t like Steely Dan;

I, however, do - connected forever in my mind as they are to a wonderful summer spent hitch-hiking around Europe and in particular an amazing car journey through Western France on a warm balmy evening rolling along the French highways against a deep peachy-orange sunset and to a soundtrack of East St Louis Toodle-oo, Show Biz Kids, Bad Sneakers, Reelin’ In The Years, Bodhisattva and Rikki Don’t Lose That Number. Yes, I know, all terribly indulgent - but it’s my show and I’ll play what I like.

This time The Jolly Boys work their stripped-back mento magic on Steely Dan’s “Do It Again” - quite an appropriate title for a band who take their name from a strap-on female pleasuring device . . . (Steely Dan, that is! No, seriously!)

(17) Do It Again (3.21) The Jolly Boys Great Expectation (Gee Jam)

And talking of Doing It Again - here’s a track that I’d promised you all last week and had to pull at the last minute. From one of my favourite French producers, mashers and remixers of the moment, this is M’siou Rigolitch and his metal-reggae mash-up of Martinique’s Papa Tank and Australia’s AC/DC (yep, you heard right!) and a track called “Back In Babylone”.

(18) Back in Babylone (4.13) M’siou Rigolitch (AC/DC vs Papa Tank)

- - - CONTINUOUS - - - - - -

(19) Ska Father (1.54) Rudeboy Shut Up and Dance (Socan / Stomp Records)

Yes, yes, yes! That was the sound of Canadian ska band Rudeboy from Ottawa and off their 1998 album “Shut Up and Dance!” - a track I’m sure loads of you recognised as the theme from the Godfather film - that was the “Ska Father”.

Here’s another upbeat offering - returning to the Galician focus I had earlier on, this is a great number from the Bellón Maceiras Quinteto from their recent album “Folk Fusion” on the De Fol Musica label - called “Licantropia”’.

(20) Licantropia (4.09) Bellón Maceiras Quinteto Folkfusion (De Fol Musica)

- - - CONTINUOUS - - - - - - 

(21) Azul Graso (3.53) Berrogüetto Hepta (Boa Music)

And there you had another track from a Galician band I played earlier, Berrogüetto, from their "Hepta" album and a special guest adding a bit of Hungarian groove on the cimbalom, Kalman Balogh, and a fantastic piece called “Azul Graso”.

Now here’s a piece of folk from the other end of Southern Europe, in this case Greece, as the international mash-up phenomenon that is the Falireas Brothers’ band: Imam Baildi take a traditional song by Dimita Galani and give it the cumbia dancehall treatment courtesy of MC Yinka. This is “Ta Hartina” and I defy you not to bounce up and down to this!

(22) Ta Hartina (4.16) Dimitra Galani (Imam Baildi rmx) The Imam Baildi Cookbook (EMI Greece / Sonic Bids)

Coming up towards the end of the show now - just another couple of tracks or so to go!

From the free download compilation album “Azucah Selectah” on the Latino Resiste! label and project, this is a mad piece of latin jungle by DJs Caballo and TMFK, featuring a compelling guajeo and some heavy, heavy, heavy effects!! “Azucah!”

(23) Azucah! (4.12) Caballo & TMFK Azucah Selectah

And if that wasn’t enough for you this is another mad drum’n’bass treatment of urban latin funk. Formed for Edinburgh’s Hogmanay Festival in 2001 by Colombian singer Martha Acosta & bassist Javier Fioramonti, the band Manteca released this heavenly slice of dancefloor locura off their 2009 album on Freestyle Records called “Planet Latino”. Are you ready? “Tremendo Boogaloo”!

(24) Tremendo Boogaloo (4.03) Manteca Planet Latino

1